For some, hearing the album might pang a Proustian memory of falling asleep on a familiar sofa. For others, it can suggest an intensely ambivalent mixture of pity and allure. For me, and for many others, it felt like paradise. Before the shadow of Bezos, before the Zuck, before, even, the contemporary comedy provided for us by the insidiously dippy Elon Muskthere was Sir Richard Branson. Seizing the sword of opportunity, he quickly took to the back pages of his paper to be the first to offer a good bargain.
It would become one of the largest and most powerful record agencies in the world. After hearing the mesmeric and thoroughly uncommercial music Oldfield had designed in the wake of a disturbing LSD trip, Branson backed his production efforts in full at the Virgin manor. It was clear that the future mogul yearned to head the most influential label in an industry that he knew incredibly little about. What he did understand, however, was that there was a vested, collective, and profitable desire for music that made audiences feel like connoisseurs of a higher order.
Miraculously, Peel adored the record and premiered it in full on his show. Almost exactly 20 years later, Tubular Bells would lay at both the spiritual and literal centerfold of our Pure Moods. The full ad for the U. First, a call bursts from a black screen.
At least a dozen vignettes ensue. A woman spins in a woven dress as a unicorn gallops into translucence. A faraway man walks through a fast-moving river. The unicorn reappears, newlyweds gaze and grope at one another before a soulful kiss, waves crash onto a dusky beach, a swarm of hummingbirds eject from a cloud—each image t-boned into one another in an effort to inspire a feeling of chaotic, seductive fantasy, soothing by way of arousal. The slightly fatter American version contains songs that are as decadent and suggestive LP) Tolkienian lore and day spa imagery as the montage in the commercial, each composed by artists that, when written out, sound like a cast of villains and druids, LP).
There was Enya, Vangelis, the Orb, Enigma. Together, they formed a New Age Mount Rushmore, chiseled in lavender quartz. These were tracks and artists never designed to be played alongside one another, tracks and artists, for all intents and purposes, mostly foreign to one another except in essence.
It was something like a lifestyle brand touting self-care avant la lettre. Likewise, for Virgin, Pure Moods was something of a sample platter made in quiet tribute to the unexpected blessings in their own roster: the artists, tracks, and rogues that had clinched the success of the label in stupefying spades. At the spine of both the UK and U. It somehow defies both anarchy and order, any sense of convention, and the usual formula for anything resembling commercial success.
Yet, beginning init lived on the Billboard charts for five unbothered years, reached the Top 10 in several LP), and made Enigma the most successful act signed to Virgin at the time of its release. Unintentionally, the Gregorian chanting endemic to the track created a global hunger for One More Night - Various - Unreal! Volume 1 (Vinyl Latin monophonic music: Inan unrelated album titled Chant from three dozen Benedictine monks living in a Spanish monastery went double-platinum.
It enjoyed a No. Non-Virgin releases on Pure Moods share the twin tenets of mild conceptual lunacy paired with baffling commercial success. I divided the tile floor into 10 sections using painters tape and numbered the sections with post it siawoodsthedezalitingcumsdedeagdosen.
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The Jesus Lizard's 'Goat' is a true classic of noise rock. Defined by its lurching basslines, post-hardcore riffing, pounding drums, Steve Albini's raw production and the unmistakable snarl of David Yow, 'Goat' is perhaps the greatest achievement from these riotous fellas. Welcome to Clarks Condensed.
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