A little bird tells me that with a new line-up forming and lockdown relaxing, Wreck Of the Minotaur will be making a comeback tentativelytherefore a re-visit to said EP is much needed. So far so sick. Time is immemorial while the music here is not. This music still holds up really well and deserves to be heard by new listeners. If and when Wreck Of The Minotaur does come back, music as ferocious as this will be greatly welcomed. Release Date: 01 May Dead Eyes Feat.
Dave Ingram of Benediction. No Forgiveness. I'm sticking to my review a day policy this week. I may write a second one today but it depends on time. Also, on a separate note, the Blogger platform has been updated again and they've changed the format of the editing tool that I use to write my posts and to be honest, it's not as good and quite why they decided to remove the built-in spellcheck functionality I'll never know.
Rant over. Anyway, this little review features Colombian death metallers The Scum. They recently released a new two-song EP, which features the vocals of Dave Ingram of Benediction on the title-track. Here we go. The overall sound on Dead Eyes is quite clean actually and the vocals take the lead in the mix.
When they rest, the whole band comes to the fore with some great soloing and neck-snapping tempos. This is a very solid EP, but to me it feels like The Scum were holding back somewhat on the title-track.
You can stream and download Dead Eyes below Saturday, 4 July Abduction - Cyclopean Thunderbolt. This evening's random review features the recent demo from Derby UK Album) metal band Abduction.
Originally self-release digitally by the band in March of this year, it was the released on tape via Goatprayer Records in May on both single tape and double tape die-hard editions.
The initial pressing of both editions sold out and as Cyclopean Thunderbolt is on it's Album) pressing, only the single tape version is still available to buy. Abduction began life in and have so far released one demo, two EPs and three full-lengths Album) to this one. Conveying Goods 2.
Mercury In Retrograde 3. We're Here To Work 4. Seeping Into The Earth 2. Condemned To The Boats 3. Swing Of The Pendulum 4. The Crypt Of Slumbering Madness 5. Rotting On The Rope 6.
Winds Of Solace 7. Cemetery Fog Us Brits are never satisfied. Old Soul - Wick 2. Old Soul - Tome 3. Lentic Waters - Compliments 5. Lentic Waters - Ibs Of Fury 6. Big Money Stella 2. Bull Fight Starts 3. The Court Of Ted 5. My Sweet Annabella I'm Not Coming Home When Myspace-era mathcore's resurgence is growing at a huge pace, getting contacted by one of the UK's long-since silent gems is a bit of a surprise. Dave Ingram of Benediction 2. No Forgiveness I'm sticking to my review a day policy this week.
Labels: Fat Wreck Chords. Released Date: 15 May The Leopard And The Juniper. They Burned Our Paintings. Frail Bray. Rose's Hammer 1. Rose's Hammer II. Utter Despair. Wildflowers Of Italy. We Lived In Ultraviolet. Deranged By Grief. May A Presence - Body Hammer - II: The Mechanism of Night (CD the release of the third full-length from California punks Western Addiction.
I first discovered them in when they released a split with New Mexican Disaster Squad. Their debut album Cognicide was released in and it would be a further twelve years before the follow-up Tremulous. There have been several EPs, Splits and Comps in between, but Album) feels like the right setting for a new album, given the backdrop of a global pandemic and also the pandemic of racism being brought to the fore.
Up-tempo rhythms are joined by treble-heavy riffs, adding frenetic energy to things straight off the bat. The title-track is very much a classic hardcore punk song, with audible vocals and driving instrumentation.
It still contains enough punk venom but the slower, groovier instrumentation and memorable vocal hooks that work really well. I like the dynamic between fast and slower songs on albums like this. Nothing more needs to be said here. This is great and Western Addiction show no sign of slowing down. Frail Bray is available to stream and download digitally below Release Date: 08 Mar We Sleep. The Absolute Is Becoming. Elder Giants. Transneptunian Infinite Gaze.
In a change to the advertised review, I thought I'd delve into my 'digital' review stack once again and write about the album Elder Giants by German black metal band Sun Worship I must have been sleeping for most ofas it was a great year for music. Now catch your breath and enjoy It just seems as though Sun Worship have hit their stride here and perfectly so. Moments of post-metal introspection nestle within the song and offer slightly calmer periods in-between the barrage of riffs and punishing drum work.
I have the full-length on my list to write about too, so stand by for that in the near future. You can stream the album and purchased it digitally or on CD the Vendetta version below Vendetta Records is the only label that you can currently buy copies from too, via this link. Release Date: 22 May Torture Ship. Paper Tongues.
It's a new week and my second week of holiday not that leaving my town is a thing at the moment! I'm trying to be more productive this week and I'm kickstarting that with some chaotic hardcore from Louisiana, US. Amando approaches it as a delicate game through a succession of melodies that give full measure to these stories about the women and men of the earth.
The wind, moon, sun, mountains, valleys, plains, and animals recur throughout. They will present at Studio de l'Ermitage their first joint album, "Le Chat Brel", within their acoustic jazz quartet. The passion for the cinema is indeed omnipresent in their original compositions, which oscillate between a light humor and a strong intensity, while remaining, like a film of the Nouvelle Vague', sincere and without artifices. Gabriel Bismut and Maurizio Minardi met on the Parisian jazz scene at the end of Their Italian origins and their taste for the beautiful melodies of film music made them want to put together a project around their compositions.
They performed more than 60 concerts in France, in Italy and Belgium and England. One voice and one seven-string guitar to reinvent the rhythms of the samba: it is the ambitious goal that Roberto and Irene share, united in their passion for this music from a faraway land, that is nonetheless a part of them.
In their repertoire, you will find several bossa novas that have been performed by the greatest artists: thus Sambuca chooses to reinterpret them with a fresh, yet authentic sound.
One voice and one guitar: yet there is nothing missing. The seven-string guitar carries the bass-line, and the voice is full of rhythm, A Presence - Body Hammer - II: The Mechanism of Night (CD. Both musicians improvise in a playful mood of mutual appreciation.
With Luz, Sambuca offers a reinterpretation of 10 songs 8 Brazilian pieces, 1 Italian song and 1 French song. The arrangements are very personal, new and intriguing. Roberto and Irene utterly transform bossa nova classics with their unique vision and interpretation, yet never betray the original harmonies. The material in Luz is a mix of world-famous songs e. Garota de Ipanema, Chega de Saudade de A. Moraes and tunes by others Brazilian composers that audiences are less familiar with e. Luz negra by N.
Cavaquinho, Vera Cruz by M. A repertoire the duet usually performs on stage and have now chosen to record. Two songs on Luz are little tributes. She has traversed deserts and lands on fire, in despair, she prays to the goddess with whom she shares the name : Anahita. This divinity of the waters, fertility and wisdom, is the one that dispenses water for all rivers and streams and thus to all peoples.
She is the healer and the source of wisdom. It came to pass that the cult of the feminine fell into disuse and her countenance was effaced from human memory, causing the gradual retreat of the waters from the rivers and aquifers.
After a mystical exchange with the goddess, the young Anahita departs on a quest for the water of immortality and finds Love. Ariana Vafadari was exposed from an early age to the poetry and philosophy of Zoroastrianism thanks to her father, she has undergone a growing longing to bring back to life the ancient scripts of Zarathustra, as collated in the Avesta, the writings founded on the tenets of wisdom, spirituality and a profound faith in the natural goodness of mankind.
Thought these prayers to Anahita, the will of Ariana et Leili is to bring back the place of felinity in the world. Ariana works in the company of a throng of fine musicians from many cultural origins or inclinations — some are masters of traditional Iranian music but others come from backgrounds in jazz, Moroccan music and, indeed western classical music.
They journey between spheres with ease. The textes are in persan, french, in avestic language, the ancien language of zoroastriens and in italien. Come closer: the warm and clear voice of this young pathfinder invites everybody to assert their identity, in an astonishing Creole poetry.
She will chant to our ear the desire to create a link, in a masterful introduction-immersion Binda. A citrus-fruit with medical virtues will spread its virtuous sourness throughout the world reminding us that one should maintain a bond between generations Vangasay. It is known to cure influenza, a sickness that com- pels our body to take a rest. Gwendoline sees it as a strong signal. It will become the title of her second album. Gwendoline composed eight titles on the album and signed all the lyrics.
Five months later, he offered made-to-measure propositions. They all scored! India inspires her quite instinctively Vangasay, Paliaka. Her voice is undeniably soul and her groove refreshes the genre Fo pa krwar. Jazz is heard in the placements, in the intonations.
The young singer takes it all and invites us to extend our imagination. On an obstinate rhythmic base always moving, alternately hypnotic and frantic, their music is freely built around repeating units. A cheerful and urgent call to dance!
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