"Long Lonely Nights" is a song that was originally released by Lee Andrews & the Hearts in Hit versions were also released by Clyde McPhatter, later in , and Bobby Vinton in The song was written by Lee Andrews, though Larry Brown (as Abbott), Doug Henderson, and Mimi Uniman were given songwriter credit as well, in a practice that was common at the time.
How many of these were removed by punters at the time, not thinking that they were devaluing their inheritance? Bowie expected this single — his first for Mercury — to chart, but coming eight months after his space novelty, it sold a mere copies. This Irish pressing of the single is utterly, hideously rare. Decca rejected it, so the band pressed up these test pressings in a handmade sleeve. They split in A track like Blindness opens with a lovely organ fugue before oozing into backwater Floyd.
Did zilch in the UK. A pressing plant experiment on red vinyl with three or four known copies. If I was there I would come and see you. This solitary copy survived. Back in I asked if anyone has seen one of these promotional padded sleeve editions.
A dealer came forward with a copy of the album in what looked like a padded silk frame. If authentic, it would probably be one of the rarest Stones promos. Starr and designer Robin Cruickshank entered a business partnership to design and market steel and glass furniture. The Bopping Elf won. This price is for either test pressing or the labels — not both together.
This press kit launched the first four Apple singles. This price is for rarer sets in matt plastic boxes rather than the more common card ones. These test pressings have OCTO 1 in the run-out groove. Cochran was 16 when he recorded this song about falling in love with a shop assistant. Time has not curbed its drive. The Low Road is an average ballad, but the souped-up flip could give you palpitations.
Six copies are known to exist. This LP hardly sold and is now one of the top 70s rarities. These test pressings exist. A handful of copies in finished picture sleeves that credit Independence Day as the B-side. When officially released in February , the B-side was changed to Be True. Only 50 finished sleeves in the smaller format are thought to have been made.
EMI had to contract Beatles pressings out to other companies to meet demand. In the wake of the film and the first landing on the moon, Philips thought that they had a hit on their hands.
This item seems to suggest that there were plans to launch the record in an eye-catching picture sleeve, which was uncommon for UK singles at the time. It was subsequently issued in mono and went Top 5. There are only two known copies in circulation of six cut. This Northampton band, led by Steve Giles on guitar and vocals, found it hard to make headway performing original material.
Giles took Dark into a studio in April , but when they went back for five days in the line-up had changed to Giles, Ron Johnson bass , Clive Thorneycroft drums and Martin Weaver guitar. This second version of the record is limited to eight copies and comes in a black-and- white handmade gatefold sleeve, some containing a booklet. US copies are cheap, but there are only a handful of UK pressings. They were especially reticent when Lennon submitted the naked photo he wanted to use for the cover.
Most of these mono copies were destroyed when Lennon demanded that the record be remixed in stereo. Lazy Day and a follow-up did not hit, and album sessions were halted after eight songs. The band was dropped by Decca. Test pressings were made of a track LP, as well as a small number of albums with labels in finished sleeves.
There are four known copies of the finished LP with labels. The grooves were packed with psych-tinged pop, with guest appearances from The Small Faces, Nicky Hopkins and an orchestra. This band gets another entry with a small private pressing of their album: 12 copies in colour sleeves and booklet inserts — super rare.
As well as the vinyl there was a goblet, handkerchief, menu cards, boxes of matches — even a pen. This price is for the lot.
Now to mix different kinds of things togheter We use different colours to make it interesting". Then we worked around with this and then we came up with 'Wild Child' as the opening track.
But we thought, 'This is fun', so we put it on anyway'". It was not write for Scorpions, not at was not all.
It was just a cultural exchange. And there were more than 30 songwriters from America. We wrote some great songs, and when we came black, there was one song about which everybody said, 'You must record this for your album'. But this is the only song we wrote on the whole album.
With Indonesian people. The Indonesian wanted all of us to write with Indonesians". Adds Rudolf, "Music has no borders and there were no language barries because there was some people who didn't speak English, and you have to only hear the sound of the guitar.
There were longer lines with us because we are so popular in Asia - Pure Instinct went triple platinum in Malaysia on its first day out - that everyone wants to write with us!
But when I came back in home, somehow, I was thinking, 'What can I put in to make it really interesting? And then when I took it home, I came up with the idea and I wrote it then". Next up is "Where The River Flows", a mid-paced folk song, quite nice, mournful melody, catchy chorus. Again, if some of these sft songs were on some of the earlier records, Scorpions wouldn't be as ridiculed as unimagnative or even worse, kinda dumb.
And as arrangement goes, well, sure, there's more texture and all manner of Zeppelin touchers here, some tastful percussion, and odd but refreshing break Did say one ballad too many? The album actually closes with yet another peaceful piece, "Are You The One? Bonnie Tyler, same label as Scorpions, covered this one one with a slight change to the title.
Explain Klaus, "I wrote it when I started working on the album and it was on some of the tapes. It was the first song, I completed. And then the record company called and said, 'Guys, do you have a song for Bonnie Tyler? So I played this song over the telephoneand the guy said, 'I love it'.
And Bonnie Tyler liked it a lot and then she went to the Bahamas and recorded it and made her version. And then when Erwin went through all our songs, he picked that song and said, 'I want to do this'.
And we said, 'No, we can't because we gave this way'. He said, 'It doesn't matter, it's your song. You sould do it'. But since she did a band version of it, we did't it differently.
That's why we did it with a string quartet, to be completely different". And that's it, although there's a Japanese bonus track that is at least a loud rock song, "She's Knocking At My Door" again featuring an odd'60s pop progression or two, but miles smarter that yer "Kick After Six" or "Tease Me Please Me".
All told, Pure Instinct, just might be one of the buried gems of the Scorpions catalogue. Indeed, if one can put aside the lack of any heavy metal past one or two tracks at most, then there's some classy songwriting to be had and heard.
But because no other band members had any other writing credits, I think they didn't want to have them on teh album. I don't know if that was teh reason. There was a ballad, a couple of other songs, but no, the other ones were mostly written by Rudolf and Klaus". Pure Instinct , despite its show of maturity and play for acceptance beyond the headbangers, was a disappointment in the sales department.
Big success in Asia with 5 times platinum in Malaysia, platinum in Thailandia and Indonesia. Fully five different songs were floated as singles in various territories, "You And I" achieving the best result. But nothing could budge the fan base, who didn't buy into the experiment. Pure Instinct really is a good album. It's just not, as they say in these situations, a good Scorpions album. Side A: 1. But the Best for You Meine 3.
Does Anyone Know Meine 4. Stone in My Shoe Meine, Schenker 5. Soul Behind the Face Meine, Schenker 6. Side B: 1. Sundah 2. Where the River Flows Meine, Schenker 3. You and I Meine 5. Are You the One? Meine, Schenker Length: Mixed At — Wisseloord Studios. Recorded At — Scorpio Sound Studios. Mastered At — Sterling Sound. Art Direction, Design — Mainartery. Line up: Klaus Meine — lead vocals; Matthias Jabs — lead guitar, backing vocals; Rudolf Schenker — rhythm guitar, backing vocals; Ralph Rieckermann — bass, backing vocals; Curt Cress — drums, percussion.
Design [Cover Concept] — Jo Mirowski. Engineer [Assisted By] — Evelien Tjebbes. Mastered By — George Marino. Mixed By, Engineer — Erwin Musper.
Percussion — Pitti Hecht. Photography By [Band] — Michel Comte. Photography By [Cover] — Gered Mankowitz. Picture cardboard sleeve; info-sheet; clear plastic innersleeve; opens right; black writings on red label; black vinyl.
OBI strip. A wonderful Krautrock copy! Picture cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on green label Brian metromone ; black vinyl.
It's not stated anywhere which side Tietchens is involved in or indeed of his involvement at all , but sonically, it's plain that side B's cycles and reverb-y detournments bear Herr Tietchens fingerprints. Every detail of the packaging is formulated for maximal confusionist amusement, beginning with designing it to appear to be a Scorpions bootleg dig the morphed photo showing Tietchens manning the boards on a Scorpions session!
Ertrinkt Mit Den Pferden 10" and latterly on projects like his Idiotenmusik 7". The queasily e. Most of these tracks can rather be called studies than songs. The stylistic range includes experiments with drum computers, noises and tape manipulation as well as uneasy pop songs with dismal lyrics. Side A starts with outtake 6 and offers 10 short tracks ranging from clickclack disko to Dr. Phibes protone music and noise collages.
Side B contains deranged German singing accompanied by psychedelic automatic rhythm accompaniments. Gagarin Records is founded in by musician and artist Felix Kubin, the label focusses on experimental pop, sound and radio art. Release formats are vinyl, audio cassettes and digital download. Picture cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on white label; black vinyl.
Picture cardboard sleeve; picture paper innersleeve; opens right; white writings on black label; black vinyl. Housed in a glossy picture sleeve with montage paperinner. The sleeve and vinyl are both in excellent condition. It was created in , but only started to make its own products in Many of the soap operas soundtracks of Rede Globo were available in Som Livre products, also compilations from radios from Globo conglomerate like Mundial AM and Excelsior AM and different kinds of compilations.
Picture cardboard sleeve; white die-cut paper innersleeve; opens right; silver writings on black label; black vinyl. Picture gatefold cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on blue label; black vinyls. Founded in the Netherlands in by Tony Berk. From until Dino Music was an independent label, mainly known for their compilation albums.
Dino was also active in other countries as: - Dino Music Pty. Ltd Australia - Dino Music Ges. In Dino Music merged with Bunny Music. Picture cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on blue label; black vinyl. Picture sleeve with photographs of some of the featured artists on the front and reverse.
Picture gatefold cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on cream label; black vinyls. The labels include the official 'SIAE' copyright stamp. Picture cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on cream label; black vinyl. Picture cardboard sleeve; clear plastic innersleeve; opens right; black writings on cream label; black vinyl.
Both songs titles in English and Spanish on the labels. Both the sleeve and vinyl show only light signs of wear but remains in excellent condition. Two tracks differ from the other versions of this compilation: Whitesnake's tracks have been replaced with Wild Horses and Randy Hansen tracks. Picture cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on red label; black vinyl. The sleeve and vinyl are in excellent condition. Picture cardboard sleeve; white paper innersleeve; opens right; black writings on "Chicago skyline" label with number 72 on left side; black vinyl.
Picture cardboard sleeve; white paper innersleeve; opens right; black writings on red label; black vinyl. Robinson and David Kershenbaum. She has a strong emotional voice which compliments the music and I'm surprised she didn't "break out the box" like say Annie Lennox.
The rest of the songs are like sleeptime. This copy is still in mint unplayed condition. Picture cardboard sleeve; white die-cut paper innersleeve; opens right; black writings on black label; black vinyl.
Picture cardboard sleeve; printed paper innersleeve; opens right; silver writings on black label; black vinyl. Jimmy Bain bass player Ronnie James Dio says: "I have proposed to old friends to take part in this adventure and many were immediately available, others, such as Van Halen, were too absorbed in their commitments.
Scorpions and Accept would have had to provide unpublished material, but managers pushed them to grant only live recordings". In seven would share the task to affect the main vocal parts, but none of the singers was assigned a specific section, Ronnie suggested everyone to sing the whole song, then choosing to everyone the best intervention.
The guitarist Vivian Campbell adds: "It was fantastic Against all logic, countless bureaucratic obstacles interposed ten months between the registration and publication of the disc.
The baptism of Hair 'n' Aid took place between many hopes to 'Hard Rock Cafe' London, April 6, , in the presence of the chief executive of the American organization' s africa Michael Brokov and with a guest the exception 'Mr.
Live Aid' Bob Geldolf in person. Needless to lie: the delays and the vagaries of the label had dilated time to wear down the impact of which such an idea he needed. What could be not been to, cool head, Ronnie would not have concealed his bitterness: "I am very disappointed; when you are all in one room, and promises good will abound, but, when needed, too many people turn their backs.
What happened to the songs Priest, Maiden and Twisted Sister had promised for the album? A Ronnie said, sales of 'Stars' yielded two million dollars in period of a year, but one wonders which figures could have been reached if the project had developed its full potential.
The usual story of the donut with a hole that can not, even for a good cause Too bad! Picture cardboard sleeve; merchandising sheet; white die-cut paper innersleeve; opens right; black writings on red label; black vinyl. The version in cassette included one extra track: 'The Zoo'. Eight Albums from newly remastered. Each with previously unreleased material. And, for the record, their Farwell Tour announcement was a bit premature due to the resurgence of interest from a younger audience and the success of their CD, Sting in the Tail.
The band is fully fueled up and reenergized! To squelch any potential doubts, the band released one of their biggest selling CDs to date in the U. On October 14th they are releasing a new film documentary about their career, Forever and a Day, for theatrical release. The albums are packed with alternative versions of their hits, rough mixes, unreleased songs, rare concert footage, photos and interviews. Following their career from when I was a teenager, I learned to play guitar to their albums.
Their style of melodic rock driven riffs combined with haunting ballads fueled a fire in me to put together a band and pursue my own rock-driven dream. The energy that Rudolf brings on stage every night is same energy and enthusiasm he brought to our interview. Always finding the positive in life and seeing the silver lining, the band will carry on for their fans! You'll be releasing the Scorpions 50th Anniversary Deluxe Editions, eight of your most influential albums on November 6th, tell about the process of doing this?
We found a partner with BMG and they had a vision for this — putting out the albums like they originally looked with great packaging. These songs, albums, and photos are like diamonds to us, very precious and we needed to have them sound the best they could. We had Dieter Dierks give all our material to BMG and the person handling this project was a Scorpions fans and he put this all together in beautiful packaging.
So beautiful that we nearly cried when we saw it. Now we have a fantastic way of releasing these old albums, the crown jewels of our 50 year career, available to everyone. On the last tour we started to see more young fans mixed with our older fans.
We also made the film, Forever and a Day, for all the young fans to see what we are all about. When the Scorpions started did you think you would be still going strong 50 years later? I saw in my naive young brain, five friends going around the world making music.
That was my philosophy in the beginning. I had that vision and then built a friendship around it. This was the key to making history together.
It took so long for us to come out of Germany from to to make the first album Lonesome Crow. I was the manager, bus driver, guitarist, singer, roadie; everything until my brother, Klaus Meine, came along. It was the platform for us to start; it was also the right way to start. Fifty years later we are putting out a new CD, Return to Forever, a documentary Forever and a Day, the deluxe editions of our back catalogue and we are out touring!
We have these four things going on and we are so busy with everything. We always look to take care of the fans. Out of the eight deluxe edition albums, do you have any favorites?
At the time Klaus temporally lost his voice which gave us time to work on the song arrangements for it. I love the cover art, as well. It was also part of the entire album package. For that tour Girlschool opened for us and Iron Maiden and the Scorpions headlined. That was a fantastic situation. In your film, Forever and a Day, Klaus and bassist, Pawel Maciwoda shared stories of their mothers passing while out on tour and the show still having to go on.
Were there sacrifices you had to make while on the road? Rudolf Schenker: We were on tour in with Whitesnake and Dokken. When one door closes, another door opens; you only have to open your eyes to notice it. Every situation is giving you a new start and you can make it even better because you can learn from the past. Tell me about your partner, Klaus Meine, and the friendship that drives the band and music? I went there and heard him, even back then he was a fantastic singer and a very good stage performer.
In Germany we have a rule that you have to do service for 18 months. I was in the army for two months and then they let me go, because I was causing too much trouble. That turned out to be a good thing for the Scorpions. At the time my brother was in a young band and soon found out how drinking and parties made life sweeter.
He told Michael no more music, come home and go back to school. Because Klaus was older, I asked him to go talk to my father so Michael could continue playing. My father thought Klaus was trustful and said okay and let my brother continue to play.
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