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Saint Agnes And The Burning Train - Sting - The Soul Cages (CD, Album) download full album zip cd mp3 vinyl flac

I'm fairly pleased with the record. I think it achieved what I wanted it to achieve in that I feel somehow, I don't know, like I've done the right thing. We come into the world alone and we leave alone. I mean, I'm not anti-religious, but if you believe anything wholesale, you open yourself up to a lot of perversions of the initial content.

That's unhealthy. The core ideas behind ideologies are great, but invariably they get twisted. I'm not an expert, I'm just working on myself. That's the path to choose". There's a polarity about them which is quite extraordinary and, I suppose, in a way, confirming. Some of the reviews you can classify as revenge of the nerds - hate mail. A lot of it, you're touching deep areas of resistance and prejudice and, actually, hatred, which I don't know how much is to do with the music or to do with my projected image, or what.

It's much more layered than my stuff used to be. I think my intention is to implicate the listener, rather than impress him immediately. You'd be surprised that the basis of 'All This Time' the most recent single is actually a piece of Bach - really pretentious, but it's true.

The way the chorus comes in is lifted from the first cello suite. And the lyrics I wrote in Normandy. I went to Normandy one weekend when I'd just started the album and I stayed in the hotel that Proust used to stay in, Album). Wrote a few images down, a bit of free association, and then after a while you get some idea of a structure. Songwriting has always been a miraculous process which is incredibly satisfying, and I don't necessarily understand how it's done.

And, for me, it happens with less and less frequency, actually. Which is scary, I suppose. When a song really works it can be very emotional when you sing it. You don't know whether to sing or to cry - it's an odd feeling. My music is the only way I have of really getting in touch with my deep feelings, because I suppress them. There was nothing else I could have written about on this record. So to me, it's not a brave record. I know there would be this record or there would be no record.

But I do feel better about my father, and much looser in general than I've ever been. All my albums sell about five or six million copies, so 'The Soul Cages' wasn't exactly a flop. But it was attacked most in England for being pretentious. The buzzword was gloomy, I think, or depressing. Maybe I'm defensive about it, but it's very heartfelt, very earnest. I couldn't get away from these ideas about my background, my father, death.

I had to get them out of the way, almost as part of the mourning process, so I could then get on with writing songs for fun. Which is what I did on 'Ten Summoner's Tales', which people seemed to like much better.

But that's fine. A whole body of work should reflect lots of different moods, and that Album) a very dark period of my life. If I was to be honest, I would have to make a very dark record. It was roundly panned by the critics, but some people got it: The recently bereaved write to me about it. There's always a market. Small, but steady. People say, My brother died, or, My parents died, and the record helped me.

And we couldn't correct it. If he hadn't said it was 'introspective', it would have been better received because there were actually a lot of up songs on there. But the minute you read somewhere that an album is all about death from cancer, you go I don't really know if I want to hear that. When you lose both your parents, your realise you're an orphan. Sadness is a good thing, Saint Agnes And The Burning Train - Sting - The Soul Cages (CD, too, to feel a loss so deeply.

You mustn't let people insist on cheering you up. I'm very proud of that album. What I turned to was my earliest memory. The shipyard. There was always a huge ship towering above the houses at the end of Gerald Street in Wallsend where I grew up.

As soon as I got that down the thing was written in two or three weeks. It poured out. Although it was painful, it wrote itself almost, free-associating. I only realised what it was about as I went along.

The journey back to where I came from. The idea of death. Lines about this father thing kept coming up. Something was saying Saint Agnes And The Burning Train - Sting - The Soul Cages (CD had to deal with it. But I have to of course, and it serves a purpose. Even though death isn't much of a party subject it's valuable to me to think about it. I figured that I'd have to go through some sort of process where I would get this stuff out.

Once I'd worked that out, I realised that I was going to have to write a record about death. I didn't really want to. I don't think the 'Soul Cages' is going to conform to any of their expectations - I think they're expecting a record about ecology or something. If they're surprised, then I'm pleased. And the next record will hopefully surprise them again. I enjoy that music, and I like making it, but it didn't seem to apply.

So the bulk of the record is based on Celtic folk melodies. I'd written a lot of little fragments of music, but there were no real ideas coming out. I was genuinely frightened. At one point I thought, "This is it, I've just dried up! Perhaps I was afraid of what might come out if I wrote something. I think there was an Saint Agnes And The Burning Train - Sting - The Soul Cages (CD lot of denial and blockage going on in my subconscious - there were things I wasn't ready to face.

This went on until after I'd gotten a band together and had two months before the whole process [of rehearsing and recording] was supposed to begin. I still didn't have a damn word. I spoke to Bruce Springsteen about it. He was just starting his own album, and I said, "Bruce, I don't know what to do. Have you got any bad songs you don't want" He offered me a couple.

Saint Agnes And The Burning Train - Sting - The Soul Cages (CD one day I just sat at the piano and started to free associate, mumbling to myself there was nobody in the house - and the mumbling got louder and gradually I started to sing lines. Words started to flow out 'Island of Souls' was one of the first.

So I wrote down what I thought were just disconnected images and lines. Quite a few were about the sea, and all were linked somehow to my father and his death. Suddenly, I realised I was mourning my father, and then the whole thing poured out of me like a river - which became the central image on 'All This Time'.

That album was very personal, confessional, and therapeutic in terms of facing death and loss. But I guess you could say the therapy worked, because now I have a new sense of freedom, a desire to move on and make songs solely intended as entertainments, designed to amuse.

Liner Notes Sting explains There seemed to be a certain amount of anxiety regarding this new piece of work. To be honest, at the time I had very little to show in the way of material. In fact, since the recording of ' Nothing Like The Sun', inI hadn't written as much as a rhyming couplet, much less a whole song.

I was suffering from what they call 'writer's block' It wasn't any fun at all. I signed up Hugh Padgham to produce and hoped that a deadline and a couple of contracts would jump start the proceedings. No shortage of melodies, chord structures, harmonic themes, intros, middle eights, codas, cadenzas and contrapuntal calypsoes.

But not one line of a lyric - nothing Friday 13 March Saturday 14 March Sunday 15 March Monday 16 March Tuesday 17 March Wednesday 18 March Thursday 19 March Friday 20 March Saturday 21 March Sunday 22 March Monday 23 March Tuesday 24 March Wednesday 25 March Thursday 26 March Friday 27 March Saturday 28 March Monday 30 March Tuesday 31 March Wednesday 1 April Thursday 2 April Friday 3 April Saturday 4 April Sunday 5 April Monday 6 April Tuesday 7 April Wednesday 8 April Thursday 9 April Friday 10 April Saturday 11 April Sunday 12 April Monday 13 April Tuesday 14 April Wednesday 15 April Friday 17 April Saturday 18 April Sunday 19 April Monday 20 April Tuesday 21 April Wednesday 22 April Thursday 23 April Friday 24 April Saturday 25 April Sunday 26 April Monday 27 April Tuesday 28 April Wednesday 29 April Thursday 30 April Friday 1 May Saturday 2 May Sunday 3 May Monday 4 May Tuesday 5 May Wednesday 6 May Thursday 7 May Friday 8 May Saturday 9 May Sunday 10 May Monday 11 May Tuesday 12 May Wednesday 13 May Thursday 14 May Friday 15 May Saturday 16 May Sunday 17 May Monday 18 May Tuesday 19 May Wednesday 20 May Thursday 21 May Labels: deathenglandlovesongs.

JohnC 18 December at Penthe 19 December at Julia 19 December at My Desktop Daily 12 December at LeeVaa 20 August at Unknown 15 July at Amina 8 March at Jones Morris 17 January at Newer Post Older Post Home. Subscribe to: Post Comments Atom. It is surprising that I have persisted as the world is changing and "microblogging" is now the norm. I blog to amuse myself, make comment on current affairs, externalise some of my creativity, keep notes on things that interest me, learn something new and to surprise myself with things that I discover about this wonderful, and sometimes crazy, world we live in.

I sometimes get the impression that I am on a soapbox delivering a monologue, so your comments are welcome.

Dec 02,  · St Agnes is a virgin martyr of the Catholic calendar. She is the patron saint of virgins, chastity, young girls, engaged couples, rape victims and gardeners. Agnes is also the name of Sting’s grandmother. The piece is instrumental and is found on Sting’s Album “The Soul Cages” dedicated to the death of his father. Sting - All this time (Album The Soul Cages) by kirtww. Sting - The soul cages concert ()(p Upscaled/50fps) Sting - Saint Agnes and The Burning Train (CD The Soul Cages. The Soul Cages, an Album by Sting. Released in on A&M (catalog no. CD ; CD). Genres: Pop Rock, Sophisti-Pop. Featured peformers: Sting (vocals, bass, Synclavier, mandolin, songwriter, producer), Branford Marsalis (saxophone), Dominic Miller (guitar), David Sancious (keyboards), Kenny Kirkland (keyboards), Paola Paparelle (oboe), Kathryn Tickell (aka_text {northumbrian bagpipes} role. Sting - The Soul Cages Album Lyrics; 1. Island Of Souls Lyrics: 2. Jeremiah Blues (Part I) Lyrics: 3. Mad About You Lyrics: 4. Saint Agnes And The Burning Train Lyrics: 5. The Soul Cages Lyrics: 6. The Wild Wild Sea Lyrics: 7. When The Angels Fall Lyrics: 8. All This Time Lyrics: 9. All This Time Lyrics: All This Time Lyrics: All This. Listen to your favorite songs from The Soul Cages by Sting Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Saint Agnes And The Burning Train: 7. The Wild Wild Sea: 8. The Soul Cages: 9. When The Angels Fall: album. The Soul Cages Sting. 9 songs (48 minutes) Released on January. But Sting's new album, 'The Soul Cages', which comes out Tuesday, finally balances his experimental tastes with some lift-off rock 'n' roll reminiscent of his Police days - notably the band's No. 1 album of , 'Synchronicity'. 'Soul Cages' takes on a deeper meaning at each listening, and its focus is intensely personal. Album · · 9 Songs. Available with an Apple Music subscription. Try it free. Radio Sign In The Soul Cages Sting Pop · Preview SONG TIME Island of Souls. 1. PREVIEW All This Time. 2. PREVIEW Mad About You. 3. Saint Agnes and the Burning Train. 6. PREVIEW The Wild Wild Sea. 7. PREVIEW The Soul. Sting - The Soul Cages Album Lyrics; 1. All This Time: 2. Island Of Souls: 3. Jeremiah Blues (Part I) 4. Mad About You: 5. Saint Agnes And The Burning Train: 6. The Soul Cages: 7. The Wild Wild Sea: 8. When The Angels Fall: 9. Why Should I Cry for You: Why Should I Cry for You? Dec 01,  · Song The Soul Cages; Artist Sting; Writers Sting; Licensed to YouTube by UMG (on behalf of A&M); CMRRA, SOLAR Music Rights Management, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutor. The Soul Cages, an Album by Sting. Released 22 January on A&M (catalog no. 2; CD). Genres: Pop Rock, Sophisti-Pop.


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1 Replies to “ Saint Agnes And The Burning Train - Sting - The Soul Cages (CD, Album) ”

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    Sep 30,  · The Official Sting Fan Club. The Studio Collection includes eight essential A&M Records albums across eleven LPs – The Dream Of The Blue Turtles (), Nothing Like The Sun () (double LP), The Soul Cages (), Ten Summoner’s Tales (), Mercury Falling (), Brand New Day () (double LP), Sacred Love () (double LP) and The Last Ship () – with both Brand .

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